Teaching: Difference between revisions
From Gisela Brinker-Gabler
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* Jena Romantics | * Jena Romantics | ||
* The Feminine - Figures and Styles | * The Feminine - Figures and Styles | ||
* | * [[Memory, Language, Fascism: Bachmann]] | ||
* Minor(ity) Discourse: Multicultural Literature | * Minor(ity) Discourse: Multicultural Literature | ||
* Viennese Modernism: Culture and Metropolis | * Viennese Modernism: Culture and Metropolis | ||
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* Auto/biographics | * Auto/biographics | ||
* Writing Exile, Migration and Diaspora | * Writing Exile, Migration and Diaspora | ||
* Modern Women in Literature and Film | * [[Modern Women in Literature and Film]] |
Revision as of 15:11, 5 February 2007
Binghamton University - Comparative Literature 1989 - Present
Graduate Courses
- Fin de siecle
- Gender and Writing
- Modes of Modern Writing
- Women and the Avant-garde
- Expressionism
- Comparative Feminist Criticism
- The Modern Novel
- The Emergence of Modern Literature: 18th/19th Century
- Literature and Memory
- Jena Romantics
- The Feminine - Figures and Styles
- Memory, Language, Fascism: Bachmann
- Minor(ity) Discourse: Multicultural Literature
- Viennese Modernism: Culture and Metropolis
- Modernity and Geschlecht I
- Modernity and Geschlecht II
- Walter Benjamin
- Reading Benjamin’s Arcades
- Modernisms I
- Modernisms II
- Transnational Modernism I: Century Cities
- Transnational Modernism II: Century Avant-gardes
- Proseminar
Undergraduate Courses
- Women and Modernism
- Questions of Gender Across the Disciplines
- European Women Poets: Exile and Atrocities
- Auto/biographics
- Writing Exile, Migration and Diaspora
- Modern Women in Literature and Film